Gallery > Realistic drawings Series 1 & 2

Charlie Brown, Missy and Bandit (series 2) explores the social condition of homelessness and poverty in the 21st century.
Homeless #1: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century, together with the idea of being perceived as absent, unimportant, or non-existent in society. Pencil and realistic techniques are used.
Homeless #2: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century, together with the idea of being perceived as absent, unimportant, or non-existent in society. Pencil and realistic techniques are used.
Homeless #3: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century. Pencil and realistic techniques are used.
Homeless #4: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century. Pencil and realistic techniques are used.
Homeless #5: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century. Pencil, charcoal, and realistic techniques are used.
Homeless #6: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century. Pencil, charcoal, and realistic techniques are used.
Homeless #7: Homeless drawing (series 1) explores the social condition of homelessness and poverty in the 21st century. Pencil and realistic techniques are used.

In my Homeless drawings (series 1) and Homeless drawings (series 2) I explore the issue of homelessness and poverty in the urban environment in the 21st century. In my first series I focus on the idea of the "street person," though visibly present, being perceived as absent, unimportant, or non-existent in society. For example, in "Homeless #1" and "Homeless #2," I used realistic techniques with pencil showing two images of the same person – one drawn with a lot of detail and the other erased.

In my second series, I draw people who live at a street-level subsistence as a way to connect viewers to problems related to poverty and homelessness in Montreal. I always ask people for their consent before I draw them and in the process we talk. I try to add something from our conversation into the drawing. For example, in "Charlie Brown, Missy, and Bandit," I did the entire drawing in pencil except for the 3 dogs, which I used brown conté and black charcoal to draw more attention to them. I did this because Joe (sitting to the left of his dogs) and Dennis (sitting to the right) talked a lot about their dogs to me, it was almost as if they were extensions of them. However, they also spoke about some of the harsher realities of their lives, which I mention in the caption below the drawing. I am currently working on the series, which will include a diverse range of people.